It’s one thing to improvise. But, what happens when your improv gets boring, stale and repetitive? What are some ways to “restart the engine”? In my own personal playing, I’m always looking for ways to “renew the spark”. I realize that my best improv is when I literally
We have often been told that “music is the universal language”. Another way to look at this is to consider music as a direct language of emotion. It is an instant access into the subconscious of the listener. It is powerful!
I’m not an expert on brain functions, but I’m fairly sure that the same center of the brain that allows to speak, converse, create and conceive is the same “language center” which allows us to improvise and compose music. If that is true, we can directly improve our ability to improvise by learning music the same as we learn other languages.
I have some exercises which will develop your music-language skills.
Music is not about perfection. It is about feeling. Jazz, in particular is about groove. It is groove which gives jazz it’s identity, it’s purpose, it’s joy. You know groove when you hear it. You know what it feels like. The main issue is . . . how to develop a great groove in your playing?
I’m pretty sure that ALL great players practice to a metronome. Practicing to a metronome develops an internal “click” in the player’s subconscious. However the click is only a reference point. If you have recorded your music, you, and all the players on the recording, have probably listened to a “click track” while recording. All the players have the same reference point of time.
Martan Mann shows how to add a “groove” to the Pachelbel Canon. For more lessons on many grooves, look at Martan Mann’s online jazz piano course, JazzSkills for Piano. Click here for FOUR FREE LESSONS.
Martan Mann presents an intensive lesson on reharmonization techniques using Silent Night. These reharmonization techniques are fully explained in Martan Mann’s online jazz piano course, JazzSkills for Piano. Click Here for FOUR FREE VIDEOS.